TEREMBURA periodical - BABEL 8.part

THE UNIFORM BELIEF

All of the elements of the creation figured on the previous sheet already, but there chiefly the sources, the time sources with pictograms dealt. The waters of the time source flowing all directions globularly race with speed of light apart. The concentric circles symbolize this. The interactional evolution of the sources in the traditional sense of the word timeless, since it, that we time know, its form, neither his medium, neither he does not make sense. It causes nothing, fills up only. Our forefathers managed a time concept differing from the today's one with completeness. The first state of the time the water state, the second the fire state, when the massless time source steps over his own spread velocity. The above Hun one reflects a state like this. Very accurate velocity is needed for the creation. This speed of light 3.16227766 - his pass. The source leaves a tapered time world behind at this time. We watch it being contemporary cultures knew the secrets of the time, the relativity theory of the time uniformly?! Let us be looking for tapered signs.

X 8 The Egyptian creator J80 The father and the mother's encounter

Well, there is one like this with a beautiful number in all cultures. It X8 sign 6 analogous was on the old shepherd carving. Is there something, which means the same one in any of the cultures,? This the ended angle. This is unambiguous without language knowledge. The thing looks so dynamically. A distinguished Hungarian researcher, Attila Foeldes, who was looking for the solutions in the angle language, realised the significance of this, and in the tangent of the angles. He found very instructive things.

That drop shape seen many times already has to turn up somewhere then!

F 51 F 51 A F 51 B F 51 C

I found 4 alike ones. Two right ones, two are leftish.

What do we get fitting the two-two signs to each other? Acquaintance like that. From east and West equally. Where did we see it?

The process of the creation. The function of the two strengths is yin jang.

I do not find this motive in Egypt yet, but his variants split in two indicate that the same creation laws were known only there. The right one and the leftish variant show it, that not only the energy, but even his anti-pair was known. This is his reflected symmetry, his parity for the light.

Energy signs the rosewindow. From above the sign of the Holy Trinity, and the two creators. The top embedded in the sample beside two another ten can be found the tenszirmú in a stone rose. This creation is his story before our eye in the Budapest town park.

The same one spread in the Christian culture complex, since this solution. Here in the right and left lower pole of the rosette visible. Their meaning is well-known yet. Their content blurred already. The leading road making a step got lost. These turn up now.

F 51 F M 193 D 76 D 132

I found the additional motion phases of the creation. The father follows a path like this getting into the mother.

M 190 M 171 M 171A N 107

The leftish variations are found.

M 219 M 35 M 44 N 20

The creation zone (fertile zone) the first three in pictogram. The rightist carries the spread principle.

I could have said that this is an ancient paperclip if I would have wanted to be nasty. But we look at it now, we find one like this somewhere else, in other cultures?

Krisna imagery. He has six limbs, so space-time. The artist hatched it up well, so many saints! This is a man shape hatched up based on his almighty parameters practically. Krisna entity existing really, but this here fiction. The secret the congruence of his language and his beard, and his third eye.

Tlasolteotl is a depiction at the Maya. The dresses of this (his shirt) already whole accurate cone. He has a head in the creation zone punctually, and what kind of interesting chance. This has four hands. So space-time. The six one sits up tongue, and a black four-petalled source. A little bit below there is a weekly bunch, this seven of the fires of the secondary light. Keeps a disembodied head at his stomach, that he is chained. These five fire alarms are. As if he would beget it because he is between his foot. Is this Maya Pallas Athen?

There is a little trouble with it possibly, that the two cultures in space very distant. How may they have hatched it up on all two place? The Mayan Codexes onto all cases thirty-five they look back at a thousand year pasts. A little I find the deluge of more fantastic deformed at birth like this on the more fantastic one for too much. Is this picture symbolism everywhere possibly?

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