To continue where we left off in our previous
section let us take a look at the space jump we have
discussed there already -. At first glance this may look
no more than a over exposure or something like that.
The target started moving and therefore it appears on
the picture at several places. After studying several of
these pictures we can come ot a very telling
conclusion. These small film cameras (and the video
cameras) are doing a 24-25 recordings in seconds.
Thus, the exposure time of one image can be on 60th
of a second. Things in the images took that long to
happen. The image of the object is not smeared, but
it’s just that it was here for a while and then very
quickly moved to another location. It shows up on the
same frame several times but it’s not blurred as if it
were moving spatially but it shows up at several
places. It can be seen more sharply, its contours are
more marked where it stayed for longer during this
time. If you take a look at the initial images you can
see a curiosity that 7-8 such sphere like parts of the
vehicle can bee seen at the location where the craft
has just been before and the ring connecting them too,
which I think is a spatial engine. This gets stronger in
the fourth picture and it can be seen very well even in
the fifth picture. Ie. the is not a film error. Two other
things also appear in the picture. (At about 1/30th of a
second). These phenomena would not be seen as a
flash effect to the naked eye yet. The other time-hopping anomalies occurring at this time only add
even further disturbances. You would think that our
eyes are dazzled and we would be rubbing our eyes.
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I have analyzed many of these moving pictures, and it has
become apparent that these phenomena are not a fault of the film, but a
manifestation of a kind of technology which is yet difficult difficult for
us to understand. We can learn a lot from it. Where the vehicle
appears dimmed, it was also there during the exposure time, but only for a
shorter period, it stayed longer where it has left stronger
traces on the film. As the movement is skip-like, it does not look blurred,
but it also is proof that it is not moving spatially.
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The theses set up in the Newtonian mechanistical thinking are not true to this vehicle in all cases but even the Eisensteinian relativistic tenets would not apply to them either. This vehicle neither accelerates nor slows down but it is not moving either. This is may, perhaps, to a modern-day thinker sound paradoxical as we cannot find any more solutions to this in our minds and the dogmatics outright “know” that this is not even possible to happen because one phenomena is ruled out by this and the other by that law of physics. Well, this is not so in our present case.
Wheeler’s spiral and half-spinned space is a good approach and the layered space is a right thought if we leave behind the plain based thinking. This has been pointed out through examples in the previous pages. This spatial variation of this seems like a good solution. The nearest analogy is a snail shell, only in this case it arises from its center and is constantly expanding in its entirety. Such a space source’s space is layered and can be even half spinned. What this means in atomic physics is that it returns to the initial state after two revolutions.
An interstellar spaceship moving the in the space-essences is really subject to the limits of movement described in theory of relativity and several physical laws also known by us. So travel and communication is subject to those limits which has been known to us for a hundred years. If we went over into the parallel space-essence, although things would be elsewhere i.e. the stars and planets, life there would also be possible. No matter what space-essence we were in the laws would limit us just the same way which we have learned in our own one. The other (parallel) universes are not anywhere else but also here, however, neither their material nor their energy can be experienced. Except for a few anomalies. The already mentioned nontime-nonspace (also known as no-time) layer is of vital importance to the life of civilizations. It is in all world religions’ writings. As they are not understood they have been termed mystical. There is no matter or light because they are formed in space and only they can survive in space. What stems from this? There matter cannot continue to exist thus it is unsuitable for all kinds of space travel. Here, the mater and the light disappears in the fraction of a moment. It is not transformed into this or that but is eliminated. But this “not good for anything” layer has a very interesting feature. It has no space or time in it and there is no distance in it in the traditional sense. THERE the most distant star is HERE. You do not need “dragging in” a distant part of the space because it is here. Right here. In other words, you do not have to “go there”.
We
understood also the secrets of travel between
galaxies.
For example: The sublayer (phase)
distortions of minuscule (own!) space
sources give a very interesting result. When
we find our way back to our own universe
after several spacejumps then our cabin will
have appeared from an incredible distance
from its initial place. Essentially, you do not
need time for this. But let us not get too
excited here because even our own universe
out of the 16 will look very strange to us.
Those flat brained star maps which we have
learned will be useless here because after
jump of few light years the view is changed
catastrophically. Conventional astrology
really needs to cowboy up because now it Such a small camera can also be sent ahead to where we are preparing to jump. Such a probe must of course have their own such spacesource as we have just mentioned. They appear around the UFO in the above images. Many of these could be seen in the previous page (24). Many civilizations visit Earth with a similar - but not identical - techniques. Here we are showing four images of the story of another short space jump. They used some kind of mirroring aid technique in the space jump. If you put the page on a disc, then you can play the pictures one after another like a movie, and this is even more revealing thing.
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Sorry, these shots were made at dawn and the light conditions are horrible. Down below the light of a vehicle’s headlights are seen which fade just exactly during the jump, and almost goes out! At the same time the bushes become blurred, as if these were carrying out a time or space jump during the exposure. Such phenomena can also be observed in many similar series of pictures. I - exactly for this reason - collect videos instead. In the third picture (as if reflected across the oblique gray blot) the UFO is visible in two places. A small gray smudge appears behind and in front of it but they are slanted the opposite way compared to the bigger one. After the jump, they instantly disappear from the image. It would be good to examine images captured with a special camera which produce a lot more pictures in one second, because details could appear in the pictures which otherwise are lost in the process of analysis. That’s why I made earthly fighter jet images so that the appearance in the films could be clearly distinguishable. This film is certainly genuine.
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That is why such a flying craft can make a buffoon out of earthly crafts. It is not even moving. It is here and there. It is in front of you, and just as you start shooting at it, it’ll chase you from behind. It takes a right angle turn or even a sharper turn at cosmic speed and disappears from your eyes as if it was never even there. But consider that this takes place over milliseconds, and no detection system can follow it when it exits our space-essence. It enters where it wants and after a tenth of a second it shoots your ass up and is gone. Not even enough time to become aware of the danger. That is why I say that only the best weapons are potato guns. Preschoolers with wooden rifles - against a real army. Well, maybe this is why they do not shoot back so often. This victory certainly would be a shame to them. But now the end of childhood has come. We need to think things further. Step by step. |
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