WORDTIMES 28 Hungarian text

 

ANCIENT EVIDENCE OF OUR ORIGIN

What is described below is going to be different from what we teach our children in our schools, but it is the plain truth. It is different in its basic essence from what is otherwise taught. This is even a lot more different from what has been put in the tolerated category. We will discuss the origin of our people, and the origin of what could be read in our previous pages will become somewhat clearer. The relic has been kept for more than one thousand years by the descendants and it is not as insignificant a feat as we might first think. They are the glorious descendants of Patak who was the head priest of chief Koppány. Things of this nature had to be paid for by ones life. The relics in question are seven slate stones. However, these pieces of stone preserved such information which provide credible proof about where our people came from to Earth. This will prove more adventurous than the Volga-Kama region or the Ordos-region ancient homeland or even Atlantis. It?s not about reflex bows and yurts. Don?t get me wrong, though. Those things are very kind to me.
 

 

This is certainly genuine sci-fi! The figures etched onto the millennium old slate figures tell us far more distant things than yurts.

At the top of the image a schematic reference sequence can be seen as to what technique was used by the travelers to bridged the vast interstellar distances.

A little circle drawn inside a circle. This is perhaps a sign of a single-star system. They launched their spacecraft from there. This is denoted by a small delta-winged symbol (arrow). Its path leads between two parallel lines on the outside of which six small radial lines can be seen.

It is necessary to be familiar with the structure of spacetime for its understanding. It is therefore necessary to have that knowledge to draw it. Since non of the well educated physicists know the structure of space-time there can be no doubt about the originality  of the relic. Anyone who has read the previous pages of the window series and has comprehended what was read these thoughts here now seem familiar. Six is the symbol of the diamond-symmetrical space and the parallel between the radially emanating symbols is the sign of the spaceless nonspace-nontime, of ahun, which is the timenothing. This is a similar layer to where the space-essences rule, but there are only elements of chaos here. Fire and Water. On the far side of it there are three small circles drawn into one circle as a destination which signify the Centaur (Centaurus) stellar system (alpha, proxima, x) which falls closest to Sun in the star world and here three stars form one system and it is a little more than four light years from us or the Big Dog (Canis Major) star system where according to our scientist today there is a double star but to my knowledge there is a triple star there, only the third one is very faint which is a brown dwarf not even discovered from Earth and which revolves as a third companion along with Sirius A and B stars. This series of pictures do not show the arrival, but may show a departure from our solar system. The spacecraft is headed towards a small square before space-jumping in the middle of which there is a point. The square is the symbol of of the material world. The point, however, represents the point-state because it is a very good term to express staying in non-space-non-time. Where there is no space, there is no distance, where there is no time, there is no process. Venture into this layer only if who are perfectly aware of all aspects of the nature of space-time. You cannot move along here and even to exist is not a very simple thing. Here we should imagine some kind of a space bubble around the spaceship in the inside of which all material and living things can be sustained. As a criterion for this is an own space-source. They are like the star Serans. The figure series shows not the arrival in the Solar System, but a spaceship?s journey home.

There is a much longer story to be read in the lower figure. Here the message is clearly about arrival because the delta-winged space shuttle in the drawing is headed towards the inside of the picture. Namely, towards Jupiter. Its four major moons indicate this clearly. The planets farther in have only one or two moons, so it may be best to say that it is Jupiter. The newcomers also landed on two of its moons because the path does not continue from the same moon as where the ship's path from below is directed. There must be two ships (and the slate could have been bigger) because on the right side a very powerful white line is directed towards the Jupiter's moon. This is most likely the innermost large moon which is the IO, because this is drawn the closest to the giant planet in the figure. The ship drawn the largest which was mentioned first must have landed on EUROPA since that is the second largest moon of the Jupiter. GANIMEDES and Callisto can be seen in the drawing as well, but no routes lead to these. The moons? position also represents a time, although due to the rapid circulation of the moons it is rather only an interval. BUT, the other three planets further inside from Jupiter are also represented which allows for a more accurate time estimate. The two-spacecraft tentative theory is confirmed by the fact that along the route between Jupiter's and planet Mars's orbit the expedition was parted according to the drawing. This starting in two directions must have been somewhere around the asteroid belt. They may have been looking for the planet Phaeton, but they found only its rubble. This was completely destroyed in the collision with Nibiru's (12th planet) moon called Northern Wind. This planet and also Mars was inhabited, about which there are old records on the Earth in which the kings of the three planets are mentioned. This is also a reference to the fact that this event has not occurred millions of years ago, but no more than 5-10000 years ago. This is confirmed by the fact that there is mention in Greek mythology about Phaeton, who is the Sun's, God Helios's disobedient son here. The legend speaks of a fire deluge on Earth. After that the expedition started in two directions in the image.

One ship went straight toward the Earth, and it also descended on Earth. They must have been fast ships because they did not move on a lengthy momentum track, but went straight ahead. This is indicated by the fact that it is the third planet in the drawing and a moon is shown next to it. The drawing for the inner planets is quite to scale, because the second planet VENUS is approximately drawn the same size as Earth and MERCURY was drawn about half as big. No routs lead to these and there orbits were not drawn.

The second expedition started on a longer trip as indicated by their journey following Mars's orbit. This is very similar to the course of our spaceships. They almost completely circled the Sun. MARS is also to scale and two moons were drawn next to it. The picture also shows PHOBOS and DEIMOS. They are not to scale, because they would not have been visible in this rough "drawing paper." The reason for choosing the long rout may have been to continue searching for Phaeton, and perhaps that was the original reason as well. Approx. along the lost planet's orbit there are a lot of white spots on the stone, in any case. Here they did not have to draw planets, only debris. This group landed on the planet Mars. It was damaged during the solar system's horrible disaster-series because an asteroid (giant meteor) wreaked havoc on the planet, when it cut a 5,000 kilometers long and five kilometers deep trench on it, then it sucked out and took the seas and the atmosphere along on departure.
 

This little "trenchlet" Aterno woud stech accross the US from east to west. 5500 Km long, 7 Km deep.
 On its surface, life has become impossible .
 

Further slate stone relics that have survived from the memories of the same heroic expedition. The upper left has clearly runic inscriptions, but they show some differences from the Hun-Magyar runes. The colons between words, according to Sirian custom tilt to either side or stand up straight. This is the sign of a space, and they are still used by Sirius people today in their writing, indicating that writing is very, very old. Much older than the letters with which I write this text. I think it is at least 4-5000 years old. The Message of Limping Katie in the Arvisura series on the fifth page gives some runic writing alphabets and can help everyone decipher the mysterious runic signs visible on the black stones. If someone feels that they managed to correctly decipher them write us an email with the result. babel@post.com . The story of a trip can be seen on the lower stone as well, which leads to a star of a planet, but this time through an eight-beam symmetry sign (meaning light). There is a star illustration at the top as well. The names of the stars are etched in runes on the board.

 

One of the strange stone runes with ligature.

There are familiar looking stick-men depicted on it, even an entire family. There is an unmistakable outline of a helmet around their heads. There is well a discernible figure of a child between the two adult figures. There is a triangle and a double cross over their heads. If someone wrote with in this writing then he was most probably Christian since us Huns came to Earth as Christians already- Our religion was not Christian in today's sense because there was no crucifixion, burning at the in vogue. The latter was adopted by later Christians in their "overflowing love". This origin is shown by the names which are completely misinterpreted today, displaying the SAMAS and ANYAHITA names. The latter is most definitely know to be of extraterrestrial origin, and that she taught the science of our runic writing to our people. Poor woman her leg became paralyzed when she gave birth to her child. This was back inAtais . With slightly more modern writing similarly ringing names (words?) are included on the edges of one the golden plates depicting the star kingdom. PAGAS, REGAS, LUTES, JUNES, VICSES, FADOS. The name SAMAS is used as a name of a god in Mesopotamian culture. The name of the Sun God. Here you can look at the tab where this is shown. These are the names of the Star Serans. Sort of a Sun Gods, and they keep in existence the star kingdoms around us.
Because they are local space time sources.


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Translation © Varga Péter (email: vargatranslation@gmail.com)