WORDTIMES 29

OUR SENSATIONAL ANCEINT MEMORIES

There was a time when the preservation of these memories was a matter of life and death. Our thousand year old ancient written records have been preserved on this slate tablet. Besides the runic characters used at the time there is a sample text written with these in which the greatly controversial names of our forefathers and foremothers can be read. The photos were made by Tamás Szentgyörgyváry and were first published in Sumerologist professor Veronika Marton's book entitled "Somogy rovas tablet and the taltos stones." I recommend the book to all of our readers who are interested in our ancient history. The large size tablet is very important in the history of Magyar-Hun literacy because it highlights the fact that our nation's history and cultural relics go back much longer than they have tried to have us believe for the past thousand years.

The vertical line in the middle reads:
 MENROTFI BOR HUNOR MAGOR.

A special feature of our linguistic record is that it gives teaching examples. There are consonants on the left side of the tablet and there are sample writings given as examples to the right of them following the colon which is the space sign. This colon is a custom which is of not earthly origin but it can be very useful since if we trace the track of this custom back we find a reference to contact and kinship with far away intelligences. The writing characters from the Sirius system published in the previous page allude to this also. Basically, our ancient matron Anahita taught us the basics of this way of writing, who was an extraterrestrial astronaut according to the records and who got stuck in Atais because of a vehicle accident and then got even married and had many children here. She passed her knowledge to her new people and kins.

Anahita and a Parthian.

Matriarch Anahita

Here we shall rely on Veronika Marton's decipherment who patiently analyzed the text which was fragmented here and there. The top line should be read from right to left, as indicated by the letters? direction. The ancient Egyptian hieroglyphics are read in a similar way. The figures face the direction in which the text should be interpreted. We use this in
rov s writing too. We can see many runic ligatures in the tablet?s texts as well as the samples.

One of the most interesting one out of those is the runic word ATYA (FATHER).
The top line:

 JA... PASA JŐ BE IDE, HONN NE VÁRJ, SZOLÁK �ÉNE

(pasa come hither within, linger not at home/do not wait upon me oh, my homeland, I have spoken)

The second row to the left can be read from right to left, and here the M phonemes are listed. am,  m, ”m, ‚m, im, �m, um, em, om, um. Am can be read from the left.
Consonants are lined up vertically downwards on the left and there is a word sample written in runes next to each one.

G GÁL, R SERO, OR, Re, Re

(R in the initial and final positions are signified by different characters)

The interesting thing is that to the right of the writing there is a complex six-symmetry merged runic sign, which gives the word SAMAS if we read it along any diagonal line. This is an excellent proof of our Sumerian ancestry. There is a character M merged together with character A in the middle. This is interesting, because one of the six is always missing which comes form the principle of operation of the space quantum. An allusion to this could be the fact that in our runic writing system an upside-down S character means number 5. SAMAS is known from Sumerian mythology, he is the Sun god. Six-symmetry is the sign of the space quantum. Of the Almighty. He holds in existence everything throughout the solar system.

His Egyptian name is RE or RA. Yes, but very possibly they did not mean and know the same by the term. SA-MAS. RA-MAS? Since the ancient Sumerian sign of MAS is a cross, an isosceles water cross. This was a Christian sign even six thousand years ago. The Hungarian word MAS (different/other) signifies that is not original it is a simile. This does not, however, mean that it has been degraded. Sumerologists translate it as half, partial but also aspure. This appears in the pur, pure form in the Latinic languages. PU-RE. Pu denotes emanation and RE shows who it belongs to. By the word "dio" an Italian person understands God. Our word RA-DIO is very interesting by which an Italian listener will unequivocally understand god Ra. The waves are really etherical and are similar in many ways to the wave-world of the spacesource found in the Sun. The Sun God is transcendent, and is not an white bearded old man.
The seven rayed light crown of Sa-mas denotes that he is the source of light and the seven rays of it is a reference to the dimension number of the light quantum. The ancient saying is still in use today. HÉTÁGRA SÜT A NAP (All seven rays of the Sun are shining down) Even today, we call God by many names, but we mean the same by all of those names. The Greeks, for example, called him Helios. The representation is not an Idol but a symbol. It has a message value. Just think of the aliens? naming of stars in the previous page.
 

SA-MAS's ancient statue.

We give the negative of the picture here for easier understanding. Well, there is a real scientific sensation behind this since there is an

 unmistakable picture of an ovum and a spermium below the name of the soul-bird. Such an exact representation of the sperm is natural today but without the microscope we would not even have a clue. And that has been discovered many, many centuries later.

Right bottom BAKON, EN 557, PaTaK ATILa, KeS 100 nap RA.
I.e. this ancient script etched into the slate is very old, if they were carved according to the dates of our ancient date-keeping calendar. Today (starting on the 21th of March 2003 which is the spring equinox in our ancient calendar)- it is the year 6044. Astrology starts the year with this date as well.

Continuing in the third row the consonants He, He He; Do Not PAN (NAP); Fe, AF, FA; Le, LU (UL), BOWL (SEE); Se, OS?, SeTeR; Pe, Wendy213, FATHER; But, ARÁVSzUMUD (DUMUSVÁRA); Dumuz (Dumus is the God of spring and rebirth in Sumerian, the founder of Duldumast Baranya. There was a city by this name by the road to Jerusalem. (Via Hierosolymitana (1030-1043): ad civitatem, quae vocatur Duldumast). Word (W), RiGyOGy (remedy); , MORÁJ (JÁROM), JAR (RAJ); (ÁSALÁB), BÁLASÁ, NOTALAB (Lake BALATON); CsE, KANACS (KHAN CSANAK drinking vessels ); Ka, Ke, SUK (KUSH), RAMS; Sze, zSIzS (SZISZ), SzÉRNEL (LENDR�Sz); iNe (Nye), eNi, ... TiNy, NyTNTENAVOS (Sovány?...?); Te, TJeNaT, NETSI (ISTEN, God), Re NeTSe; (Accding to Plato ER was Pamphilian (Asia minor) sage whom many identify and others confuse with Zoroaster). The phrase probably in today's Hungarian could be translated as follows: God teaches of God. Tye, ATYA, ATYA, ...BATYA, Ce CITROM, OKRADUC, (Cudarko Moric); Ve, VAR, RÁV (VÁR); eZ, DÖZ ZÖD (green); sZe, ZsÁLyA; LY, MOLyOS (SOLyOM).
That is, our whole consonant set must have looked like this: M, G, R, H, N, F, L, S, P, D, W, J, B, CS, K, Sz, Ty, Ny, T, C, V, Z, Zs, Ly.
It is not impossible that the consonants listed in the unusual order may carry secret messages for posterity.
(Prof. Veronika Marton's assumption).
Our consonants are listed in a vertical line next to the also vertical line in the middle of the table in relation to the words written left to right and right to left and their different ways of writing are also given. A, Á, I, O, Ö, E, É, U, Ű. All together 33+1, that is thirty four letters. 33 is the number of God. Writing to left or right and downwards all have separate significance. Our ancient matriarch's and teacher's name is written on the right top in the second row. (AT(i)HANA). There is dingir on the left after the name. There is the name AURA to the left of it there is also a dingir. There are the names of gods SA-MAS and BA underneath it. BA is the soulbird in Egypt.

The system of creation in a many thousands of years old tablet.

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ALL RIGHTS RESERVED © 2007 UNIVERSUM UNIVERSITAS. This publication was prepared for personal use only.
Absolutely no part of this publication may be reproduced or published without the express permission of the author.

Translation © Varga Péter (email: vargatranslation@gmail.com)